Wednesday, March 16, 2005

Less Moore is More


Michael-moore
Originally uploaded by RHarris.

Note: I started writing this post a few weeks ago, and have just now finished it.

The problem with Moore is he addresses serious issues and problems in a very unserious way. That's not to say he thinks it's all a joke. To the contrary, it seems he takes what he does seriously, and he certainly is addressing serious issues. But the commentary and the arguments aren't serious ones-- that is, the evidence is anecdotal, the assumptions unquestioned, and the implied thesis self-contradicting.


I'm not saying Moore has no talent. The production quality of his movies is always good, and the movies themselves are generally entertaining. Moore tells his story well, and cues the music at all the right times -- the result of which can be a very powerful movie. But there powerful in a way that any well done fictitious is -- and therein lies the problem. Instead of thinking rationally Moore tempts us to react emotionally.


Consider Bowling for Columbine, (which I not long ago saw). The basic thesis of the movie is that Americans are violent, live in fear, and are so in love with guns, that things like the tragedy at columbine are bound to happen. The implied solution is to get rid of guns. Then the would-be victims of gun violence will live and we'll all be much happier.


But the evidence is so underwhelming as to be risible. For instance one segment of the film show as series of countries and how many deaths are caused yearly by guns. America of course leads the pack with 11,000. The others are in the hundreds or in a few occasions under one hundred. However Moore never points out that guns in many of these counties are illegal, such as the UK. And what difference does it matter how people are dying because of gun violence? Do we feel better if people are murdered by knives or bombs? Shouldn't the real question be how many people are being murder and what to do about that? Yes it should, but Moore doesn't bother asking that question. And by the way, doesn't the US have a much larger population than Canada the UK and Australia? Shouldn't the real question be, do we have more murders relative to our population size? Moore doesn't bother with this question either. Actually with our .04 murders per 1000 people. Were about in the middle of the pack. Were still slightly higher than France and Canada with .01 murders per 1000 people, but well under the leaders like Columbia, Russia and South Africa with .63, .19 and .51 respectively. http://www.nationmaster.com/graph-T/cri_mur_cap


But there is still a good question. Why is it that America has (albeit slightly) higher homicide rate than these other countries? But Moore can't seem to answer that question without contradicting himself. One moment he says its the guns, that's why. But then there are 7 million guns in Canada and they don't have as many homicides. In that case its the media. But Canadians watch all our same violent movies (here he goes of on this weird tangent implicating the overdone news coverage of violent crimes. as if most fellons even watch the news. As if someone reporting on the tragedy of gun violence encourages the behavior more than a violent movie glorifying and reviling in violence). Then it must be fear. Canadians aren't afraid but Americans are paranoid. He ends on that note but then continues to K-Mart to pressure them into dropping there handgun and assault riffle bullets (so it is the guns after all?).

It doesn't make sense, but then it's not supposed to. Its supposed to tug at your heart strings, so you think "Gosh this just doesn't seem right." And in some cases it may not be. But the tactic is to make you think because in a few cases a crazy guy shouldn't have a gun, then guns have no use and should be ban all together, and that's nonsense.

And if we don't need guns to protect us (Moore pokes fun at the people who claim they need guns to protect themselves, and claims Americans live in an atmosphere of fear) then why was a gun without proper licensing found on one of Moore's body guard in New York City?

P.S. I write about Bowling For Columbine because that is the Moore movie I've seen most recently. For a deconstruction of Fahrenheit 9/11, read Christopher Hitchen's Unfairenheit 9/11 -- there is none better (at least that I've found).

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